ERIC REED "Rare L.A. quartet-led performance" feat. Rickey Woodard @ STAGE · Fri., Oct. 27th 9PM · LAWeekly's - "Best South L.A. Jazz Club" (Update 10/22)*

Presented by Dwight Trible, Executive Director non-profit 501(c)(3) The 'new' World STAGE Art, Education & Performance Gallery "Autumn Jazz Concert Series +" Incl. MC Jeffrey-rey, Jazz philanthropic-herstorian @ no extra charge   Image may contain: one or more people

 A superior pianist who grew up in gospel, studied classical, and played (J)azz with Wynton Marsalis before becoming a session leader himself. - allmusic.com

Trio:

Eric Reed, Band Leader - piano

Michael Gurrola - bass
Kevin Kanner - drums

.

Special Guest Soloist*

 

Rickey Woodard - tenor sax

 .

 
 Facebookacebook - Official Fan Page of Eric Reed

 

 Facebookacebook: STAGE - Artist-Event pg.

 Eventbrite:  $20  Advance Tickets (highly recommended)  

The World Stage

4321 Degnan Blvd
Los Angeles, California 90008

(323) 293-2451

Located in L.A.'s Leimert Park Village

(entrance & public parking, rear of building)

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Comment by DojO- on October 27, 2017 at 1:02pm

Eric Reed's (proposed) Program:

Image may contain: text

Comment by DojO- on October 27, 2017 at 12:59pm

“On the Gig” From: duh Facebook pg. of Eric Reed

Each bandleader has his own method of calling tunes and/or sets:

Joe Henderson would say, “Invite”? (as in “Invitation”)

Freddie Hubbard would raise his trumpet in the air and you 
had to play the downbeat with him - anything

Wynton Marsalis used specific foot-stomps or rhythmic “mm’s" 

Buster Williams would often ask me to put the set together - and he loathes announcing during the set

Quincy Fielding Jr. would say, “Please don’t ask me - I have no idea"

There isn’t always sufficient prep time to be quite as organized as I like, so, I tend to prepare set lists way in advance. I always type out (or group text) a set list (subject to change) to the band, and transition thematically from song to song. Whatever happens in between is anybody’s guess. When I want to play something, whatever I’m playing will be the cue. I’ve been told that my verbal count-offs often don’t match where I wind up once the tune starts - so, I just start playing. When the train starts moving, jump on before the doors close.

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